![]() The arrangement is lush with strings, cruising along at a faster pace than most Camera Obscura tracks (“Lloyd, I’m Ready To Be Heartbroken” being an exception). My Maudlin Career begins with one of the strongest points in Camera Obscura’s career to date, “French Navy,” a song about unsuccessfully trying to control a love with a sailor. It’s the stuff of indie pop dreams, the kind built on the backs of Rough Trade stalwarts such as The Smiths and The Sundays, only with more emphasis on the booming percussion and deft strings of Spector’s classic Wall of Sound production. On the latest Camera Obscura album, My Maudlin Career, the band assumes full control over that new sound by cramming it with winning songs and arrangements, front to back. Even if every song on that album wasn’t a winner, it was clear that tracks like “Lloyd, I’m Ready To Be Heartbroken,” “Tears For Affairs,” and “I Need All the Friends I Can Get” were, for all intents and purposes, blueprints of a new direction. The comparison was well-warranted on Underachievers Please Try Harder, the band’s debut full-length, but with 2006’s Let’s Get Out Of This Country, they side-stepped any assumptions of what a follow-up album should be by fleshing out its sound with a swimming pool of reverbed guitars and Phil Spector-esque arrangements. At the beginning of their career, Camera Obscura garnered numerous comparisons to fellow Scots Belle and Sebastian. ![]()
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